Monday 20 January 2014

Key Points: How to Write a Children's Picture Book

(From the Howcast website)

  1. Research structural concepts e.g linear, abstract, closed and open narratives
  2. Write 25-28 pages on a universal theme to suit the age group (0-5 years). This theme can be built upon and have added complexity later on. 
  3. Make the words vivid - describe what the pictures show. 
  4. Develop the characters, setting, plot, conflict and reaction - make the story incite curiosity. 
  5. Make sure to include alliteration, rhyme, wordplay and repetition. 
  6. Look at illustrators and decide which style is best fitting to the story you're telling and the age you're targeting
  7. Read the story aloud, making sure the rhythm and pace is suitable for your story.
The video gave clear instructions in even more detail than this, ensuring that there is no issue with the creation of a children's book. 

Signifiers - Tools to use when creating a children's book

Signifiers: identifying marks and features that resonate within a developing child's memory. These are employed by children's illustrators in order to connect as fast as possible with the young reader, and convey the message of the story without overcomplicating the scenery and therefore losing the child's interest in the plot.

For young children, detail is often lost in favour of bolder, more obvious illustrations. Complex animals are reduced to simplistic concepts with strong features that are most commonly identified with by the general population.

In class, we formed a list of signifiers for 10 animals, before sketching them onto ellipses'.
1. Dog - tail/legs/ears/nose/muzzle/tongue/fur
2. Cat - tail/whiskers/ears/cat eyes/fur
3. Penguin - black/white/beak/egg/webbed feet/flippers
4. Elephant - tusks/trunk/ears/grey/fat/short legs/wrinkles
5. Parrot - beak/colour/claws/wings/tail/perch
6. Lion - mane/teeth/nose/tail/fur/paws/jaws
7. Fish - scales/gills/fins/lips/colour/pattern/eyes
8. Frog - tongue/feet/legs/green/eyes/wide mouth
9. Panda - black/white/bamboo/fluffy/fat/claws/ears
10. Crab - pincers/6 legs/small eyes/shells

These ideas were all put into play when we created our animals. Here are mine.
I have to say, my ability to look past my drawing skills (or lack thereof) improved on the second page.I decided to enhance these by scanning them into the computer and edit them on Illustrator, though I left out the crab.
This exercise meant that we all focussed our attention on drawing the signifiers, instead of the quality of the sketches. I realised that I had no problem with drawing signifiers on animals, and that if I chose to stylise my images and characters, that it wouldn't be a difficult task to use animal characters.




Monday 13 January 2014

Creating Characters


This morning, we focused on creating a simple, appealing character using a tutorial on Adobe Illustrator.

The main tools we used were Pen, Intersect, Gradient, Ellipse and Paintbrush.

On a simple A4 page, we created the colourful snail, using shading, transparency and a gradient effect to make it a recognisable character.

This is William, a sea-faring snail.
My end result isn't perfect, as I feel the outline of the body could be smoother and more rounded, but I am very pleased with the progress I made.

The tutorial was created by  on 'Vector Tuts' (click here to be taken to the tutorial)

This tutorial has given me new ideas about the ways in which I can publish the book I intend to make. It has inspired different approaches to characters and has honed my illustrator skills.



Tuesday 7 January 2014

PROJECT: CHILDRENS' BOOK

What do children look for in a childrens' book?
This is a question that I had to ask when considering ideas for a book. I created a mind map which encompasses just a few of the possibilities to include in my project.
Mind Map: What do Children Like?
In order to have some form of organisation amongst my thoughts I decided to split the audience, 0-5 years, into the main educational stages - Early, 1-3 years and 4-5 years. I also added the common likes as a fourth strain, in order to allow the possibility of a transitory book.

 This mind mapping exercise enabled me to start planning some of the research that I would then do in order to expand my thought processes and understanding of children's authors.